One of the mysteries of the English language finally explained.
Fiction in which the author self-consciously alludes to the artificiality or literariness of a work by parodying or departing from novelistic conventions (especially naturalism) and traditional narrative techniques.
- ‘The mixing of fantastic and realistic modes and the ragged edges he makes between invention and representation, has been generally described as magical realism or metafiction.’
- ‘Most metafiction tends towards narcissistic tail-chasing, but let's keep going.’
- ‘However, what is often overlooked is metafiction's inherent and inevitable preoccupation with the creative power of the author.’
- ‘Their quest for ‘urban realism’ or neo-realism suggest that metafiction is not by definition incongruent with realism, and that referentiality remains a powerful preoccupation in many strands of postmodern fiction.’
- ‘The content of the interview is a metafiction that navigates the cultural space between imagined signs and social truths.’
- ‘The latter story, a somewhat incomplete-seeming outline of a tale, is as much an early exercise in metafiction and ghost-storytelling technique as a coherent narrative.’
- ‘An investigation of transworld identity, historiographic metafiction, creative writing, postmodernism, and narrative voice.’
- ‘Technically it is, I believe, what is called in some quarters a metafiction: a book about a book.’
- ‘It's got an interesting metafiction to the plot as well.’
- ‘The second narrative technique, metafiction, works in opposition to point-of-view narration to align the reader with the author at the expense of the fictional subject.’
- ‘It may be metafiction, a technique seen in all his works.’
- ‘Fiction writers were influenced by the postmodern fabulism and metafiction of North and South America.’
- ‘This kind of self-reflexiveness, through pastiche and quotation, is characteristic of metafiction and metafilm.’
- ‘The delight He took in transposing Descartes into spoken French leaps off the page, and the result of his efforts is a hilarious novel of ideas and social manners, with metafiction present as well.’
- ‘Similarly, while metafiction in general allows, even demands, a new and more powerful role for the reader, it simultaneously demonstrates the continuing need for a consciously constructing authorial figure.’
- ‘Second, it works as a metafilm and metafiction, employing sophisticated self-reflexive devices to tell a micro-historical story about film, film spectatorship and its relationship to modern Sicilian life.’
- ‘In fact, each story becomes a metafiction: they are about the process of telling war stories as much as they are war stories themselves.’
- ‘In a New York Times Magazine article three years ago, Miller defined metafiction as ‘fiction that openly admits it is an artificial creation - as opposed to naturalism, in which art strives to represent real life.’’
- ‘The result has been a number of works of art in the distinctively postmodern genre of historiographical metafiction.’
- ‘With its multi-tiered narrative and myriad metafiction conceits, the novel has all the makings of a literary event.’
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