One of the mysteries of the English language finally explained.
1Of approximately half the normal length.
- ‘After a half-length defeat in a Turfway Park allowance race, Sarava moved to McPeek's barn to prepare for a run at the classics.’
- ‘She changed into loose-fitting trousers, made from real cotton grown in one of the neighbouring villages, and a cotton top with half-length sleeves.’
- ‘Three-quarter or half-length sleeves enhance the summer appeal of skirts and pants in fashion prints.’
- ‘David offers to massage her tense day away and Anna tries to move her hair to the side - and she could were she not wearing a half-length cut over her actual hair.’
- ‘By the first 500-metre mark Germany had taken a half-length lead over the new United States line-up and Slovenia.’
- 1.1 (of a painting or sculpture) showing a person down to the waist.
- ‘Caravaggio returns to the half-length format of his early genre scenes, but all naturalistic bravura and illusionistic detail are gone.’
- ‘Other highlights from the collection include a half-length cast bronze bust of George Bernard Shaw by Prince Paul Troubetskoy, signed and dated 1908.’
- ‘Sari-clad women move behind, like a frieze, one with her back turned, just below a painted half-length figure.’
- ‘Most of his 60 or so known paintings, mainly half-length portraits, date from 1642-6 after he had moved with Charles I's Civil War court to Oxford.’
- ‘The most visually startling images were two half-length portraits from her ‘Bodybuilders’ series.’
A painting or sculpture of a person down to the waist.
- ‘Anne Villiers herself was painted by van Dyck in a solo half-length.’
- ‘A life-size portrait, even if it is only a head or a half-length, always takes up more room than its intrinsic interest demands.’
- ‘The presence, in the Gallery's reconstruction, of half-lengths of St Paul and, questionably, of St Andrew is hard to explain.’
- ‘Was young Gooch's half-length what the miniaturist copied?’
- ‘These works are not compatible with the bulk of the corpus of Caravaggesque half-lengths that the English art historian Benedict Nicolson had associated first with an unnamed ‘Candlelight Master’ and then with Bigot.’
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