One of the mysteries of the English language finally explained.
A second or subsidiary subject, especially accompanying the subject or its answer in a fugue.
- ‘There remains one composition by Buxtehude, a canzonetta in A minor that is clearly similar to the opening of the first fugue of the A major toccata in both the shape and treatment of its subject and countersubject.’
- ‘Normally there is a dynamic interplay between subject and countersubject in a fugue, but here the energy is concentrated in the subject, with the countersubject limply shadowing it in thirds and sixths.’
- ‘Additional counterpoint is called ‘free’, but such material may be restated in an identical form, as if it were a second countersubject.’
- ‘He excelled the skills even of Frescobaldi in the manipulation of fugal devices such as countersubject, stretto and sustained pedalpoint.’
- ‘In both pieces a fugue follows without a break and the fugue is created by stating the subject at the tonic and the fifth, with little in the way of a countersubject.’
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