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A metrical pattern for hymns in which the stanzas have four lines containing eight and six syllables alternately rhyming abcb or abab.
- ‘Shakespeare referred to common meter in Midsummer Night's Dream as ‘eight-and-six,’ which is a description of the number of syllables in the odd and even lines.’
- ‘And even Psalm 136, the one Psalm not in common metre, can be sung to any common metre tune, as it adds only one extra syllable to the end of ever second line.’
- ‘He also briefly relates the poem's metre to the hymn tradition, deciding that it mimics the standard common metre.’
- ‘The Psalms of King David paraphrased and turned into English verse according to the common metre as they are usually sung in parish-churches’
- ‘They used Rouse's metrical version, in which all the psalms are rendered in common metre, except the one hundredth which is long metre.’
We take a look at several popular, though confusing, punctuation marks.
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The definitions of ‘buddy’ and ‘bro’ in the OED have recently been revised. We explore their history and increase in popularity.