Which Joe gave his name to ‘sloppy joes’? We look at five interesting sandwiches and their lexical origins.
A musical scale of six notes with a semitone between the third and fourth. An overlapping series of seven such scales starting on G, C, and F formed the basis of medieval music theory.
- ‘At the end, the same six pitch-classes provide the concluding hexachord of the tranquil violin melody.’
- ‘Medieval diatonicism, which did not include the principle of octave equivalence, was codified by Guido of Arezzo in the early 11th century: it acknowledged notes from G to e, arranged in seven overlapping hexachords.’
- ‘I think one has to admit that in the works where I use the symmetrical hexachord, one probably can't any longer speak of my music as being twelve-tone music, that is, certainly not in the academic sense.’
- ‘Schoenberg never intended the 12-note technique to exclude possible tonal implications, and his use of hexachords is a close analogy to tonal practice.’
- ‘In the early years of the seventeenth century, English composers increasingly turned to the hexachord as a cantus firmus for keyboard pieces.’
We take a look at several popular, though confusing, punctuation marks.
From Afghanistan to Zimbabwe, discover surprising and intriguing language facts from around the globe.
The definitions of ‘buddy’ and ‘bro’ in the OED have recently been revised. We explore their history and increase in popularity.