One of the mysteries of the English language finally explained.
An improvised kind of popular comedy in Italian theatres in the 16th–18th centuries, based on stock characters. Actors adapted their comic dialogue and action according to a few basic plots (commonly love intrigues) and to topical issues.
- ‘The heroes of this strange and gripping twenty-first-century love story resemble personages from the Italian commedia dell'arte.’
- ‘The strength of commedia dell'arte is that it opens actors to creative additions and dislocations, continually encouraging actors to improvise, all of which means the audience is turned on in a remarkable way.’
- ‘The ballet's commonalities with commedia dell'arte made it familiar territory for the Italian interpreters.’
- ‘The story involves three characters from commedia dell'arte - Pierrot, Columbine, and Brighella - and uses them to illustrate the vulnerability of innocence.’
- ‘His figures have a theatrical air, especially the ones with the look of Pierrot and Colombine and other characters from the commedia dell'arte.’
- ‘Using masks and dialects, they performed improvisational comic theatre, now known as commedia dell'arte.’
- ‘Another target of the Petite Commande are the popular entertainments of the day, the theater of the commedia dell'arte and the musicians, dancers, and comedians who played in carnivals and fairs.’
- ‘Goldoni was an innovative playwright who was attempting to transform the old Italian commedia dell'arte form into a more modern comedy of manners.’
- ‘These were worn by players in the Italian theater known as commedia dell'arte, which was popular in the 16th century.’
- ‘Winner of the Nobel Prize for literature, he follows the tradition of improvisational comedy, which was heavily influenced by the characterization, themes and storylines of Italy's commedia dell'arte.’
- ‘A character who looks like he might have stepped out of the commedia dell'arte, wearing a jacket with multihued tufts, wields a primitive hand puppet.’
- ‘Pierrot, with his white face, black skull-cap and ruff, has always been a central figure of the commedia dell'arte.’
Italian, ‘comedy of art’.
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